Verruckt

 Painting from 1998 original –
augmented artwork using photo filter. Taken from original acrylic painting

 

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Modernist Stack

Discarded aggregate form and sub-symbiotic materiality are not necessarily intended by industry standards, but are gestures on mankind nonetheless. Ambient relationships of form are altered by the transgression of humans on environments. Destroyed, they are once again re-used or reborn as art, and architecture akin to patterns or phenomenological idiosyncrasies. An experiential module is placed at intersections and the users are encouraged to make changes to them as they may see fit. This, in turn, may be neglected or recorded, or relayed, to any chance personal encounter – by subsequent users, and histories of fragmented places are honored – and made purposed. De-Ambient mechanisms or deconstructivism is unintended but is the alternate domain of peace. Mortar and harmony, thorough investigations, simultaneous to the sinuous patterns of crafted time – are everyday.