Discarded aggregate form and sub-symbiotic materiality are not necessarily intended by industry standards, but are gestures on mankind nonetheless. Ambient relationships of form are altered by the transgression of humans on environments. Destroyed, they are once again re-used or reborn as art, and architecture akin to patterns or phenomenological idiosyncrasies. An experiential module is placed at intersections and the users are encouraged to make changes to them as they may see fit. This, in turn, may be neglected or recorded, or relayed, to any chance personal encounter – by subsequent users; and histories of fragmented places are honored – and made purposed by each identifiable salients. De-Ambient mechanisms or deconstructivism is unintended but is the alternate domain of "piece". Mortar and harmony, thorough investigations, simultaneous to the sinuous patterns of crafted time – are everyday. Experimental + Conceptual Artist; Architectural Designer + Draftsman; Composer + Writer... For example, using a concept art prototype to define the following in deeper hypotheses: Exploring site spatial application towards societal awareness through subtle or blatant artistic performances. Attempting to generate non-conformist or quasi subversive languages used, within this concept-art. Extracting recognizant themes through assembled applications in recognizable habitual passages of times and meanings when placements are made. Taking concept art forms off-road while minimally masking it from full obscurity.